Character models look distinctly last-gen with plenty of blocky limbs and sharp heads hammering home the reminder that this was originally a handheld showpiece. This is really noticeable early on in the game’s cutscenes. Where it lacks is in the general presentation. Heck, it’s even better than the mainline Assassin’s Creed III Remastered in that department. Frame rates were never consistent on the PS Vita version of Liberation, but this time around things are a lot better. The increase in resolution is welcome, as are the general improvements to the game’s performance.
In fact, it looks quite poor when compared to Assassin’s Creed III Remastered running on the same machines. However, don’t go into Liberation Remastered expecting a graphical tour-de-force. The resolution has been bumped up to take advantage of the newer machines, as well as their mid-gen refreshes.
The big differences come in the graphical upgrades over the original Vita release. Things are a little different this time around, though it’s mostly the same. It was a big deal for me…Īnd so, almost seven years, I’m back on the dirty streets of New Orleans. It was a long time ago and Pure PlayStation was not yet founded. More crucially, I didn’t have to buy a TV and console. A fully featured Assassin’s Creed game that I could jump into anytime and anywhere. At the time I only had a PS Vita to hand as I was living in a hotel apartment suite, so this game was an absolute treasure. I walked into the local Fnac store and there it was, in all of its glory: Assassin’s Creed III: Liberation for the PS Vita. I was living in France at the time in the small town of Chambéry. Not because it’s a standout piece of media that will be looked back on in decades to come, but because it was one of the first times in my life I managed to get a game before the expected release date. This game holds a special place in my heart.
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